Friday, November 25, 2011

coming into the city

The quicker the pace of my heart, the more blood that rushes to every inch of my body, the more I begin to feel that surge which forces me to think about every waking second that passes through time, to think about their intricacies and their value in my mind and life. It’s a dance that happens between my heart and mind, a tango fueled by the beat of emotions that resound effortlessly from nothingness. There is nothing until we feel we are close to another human being. I’ve come to the point now where I don’t even have to be physically close to anybody to realize my humanity and consequently my connection to 7 billion other living breathing souls, electrically charged entities feeling and thinking much the same as I do.

This is where the necessity to move is created. Our minds evolved so that we could move more fluidly through the perils of this world, so that struggling to survive would later simply be a fact of life from times passed. Now our common survival depends on how well we can work as one intellectual entity. The need to move closer towards our center, to create a glowing, massive core where we can fuse together all the possibilities of the human machine, is etched inside our intuition whether we like it or not.

It was no surprise to me when I learned that our brain’s produce more energy when we are interacting closely with other human beings. Our mind’s areas of language and emotion flare while, rather conspicuously, our part of the brain which is the placement for our own image which we project into the physical world dims itself down.

I’m now closing in on the top of the bridge and my heart reaches a climax, it’s that first morning rush of energy and its crescendo is welcomed everyday by a skyline that seemingly massages the blue sky behind it. The buildings begin to expand before me and all of the sudden I’m in the middle of that surging tangle of life created from our necessity to be as close as possible to each other. Perhaps this is why I’m still in love with this job, it allows me the freedom to navigate quickly through it all. I ingest more of the human visage in twenty minutes of riding than most people do in an entire day.

An old woman crosses a busy street alone, barely making it from curb to curb, confidently inches along the painted asphalt. A man in rags is slumped against a building, unmoving, unconscious, a sign next to him pleads for help while a veritable river of people pass rapidly by him pretending he doesn’t exist. Two women dressed in the height of fashion roar back laughing and gabbing away as if the world could feel no pain all the while crossing through the stopped sea completely oblivious to the other traffic that continues even when the two ton beasts are still. Jazz tickles the air of the corner of 6th avenue and 14th street, the man with the horn has his eyes closed but can feel every person walking by, the others around him either stop to take it in, pass on by with a quick nod and drop of change or continue on unphased. Some youngster with a flashy fixie and no bag on speeds next to me, looks at me, then begins to accelerate. Five men in well cut suits all stand four feet from the curb while waiting for a light, all five have black glowing boxes pressed to their ears. A Spanish woman in the upper east side pushes a stroller with a small, palm sized dog wearing a knit sweater strapped to its cushioned seat. A collection of people living in tents in a downtown protest wake up to a mild November morning waiting for the community coffee to be served. Thirty cops congregate near Wall Street.

There is a story being written every second of every day in every place that we inhabit. It is our story. It reads whichever way you want it too. It can seem complicated and in need of your full attention and flashes of unnerving dedication. It can be a playful set up of words that make your eyes want to dance gracefully across its lines. Sometimes the conflict is so unbearably apparent you feel you cannot lift your gaze for fear of losing something invaluable to you. There is also the ugliness that you wish to never appear again, but it always does and forever will. Then, every so often, the story consumes you and you have to make a choice, do you begin to write it for yourself or do you continue to only live your life according to the words of others’.

This story, all stories, continue on to the end regardless of the beginnings. This is a constant I have learned to count on and it has brought me a lot of comfort because in between the covers of this collection of stories is an infinite amount of blank pages. I've always wondered since I first started putting ink to page just how many marks I could make in a lifetime. I guess I'll find out soon enough.

Tuesday, November 15, 2011

one note is all you need

Its the middle of the day and the work has finally slowed to a point where I can sit and regain my marbles. In this line of work, it's so easy to get lost inside of the very restrictive lives and lines of motion that we all lead. So many times I forget to look and take in the real reason I have forced myself onto these streets for. It is the experience that we yearn for but often pass. So now on this downtime I sit and watch the world.

An old man in a new fuzzy peacoat and a ratty, ancient beanie wears an A-sign outside of a shop simply named “Sample Sale”. Posters of discounts slathered with designer names litter the stores front window. Wonder how long that sample sale has lasted?
The haggard looking man in the beautiful coat is pacing back and forth on a ten foot section of sidewalk holding out flyers peddling his employer’s goods. I’m on the library steps watching the world and it’s beautiful, maddening ironies and it’s oh so delectable pace. 

In front of me I watch a man with what seems as some sort of mental disability begins strumming a guitar just a few feet away, brushing his fingers against the strings producing only one off-key note over and over again while singing completely in monotone as if he’s been deaf since birth. His New York Mets trucker cap is as faded as his jeans which mirror the rest of the spectacle that he gifts to me and this island on such a beautiful Manhattan Monday as this.
He pauses for a second to take off his Mets windbreaker, as he comes closer we make eye contact and share a friendly hello. I can’t help but beam a full faced smile at this man which he returns with a semi toothless one. He turns away and my smile, contrary to the limits of my facial features, gets even bigger. There has to be some way to share this with the world without having to resort to having some sort of super-phone to film it with.
The glasses wrapping his face are kept together at the bridge of his nose with some scotch tape and they are connected around the back of his head by a shoestring. It feels like the whole ensemble together with the hobo A-sign guy in the peacoat is a part in some play or comedy movie. I smile and look around to see if anyone else is catching any of this but everyone around me is so involved with their own little microcosm of a world that they are blind to the one we are sharing in real time. All the while, the one note continues.
A tourist couple starts taking pictures against the limestone to my right, the man’s droning strums providing the vacation soundtrack. They try to look like nothing odd is going on and pretend that he and his monotone racket simply doesn’t exist. But I’m staring dead at this man and I know he exists in this world probably much more so than either of them. He is no tourist to this reality, he spends everyday inside of it. I can feel how much this means to him from my perch 15 feet away. His face crunched together in dedication and struggle, his body begins rocking to and fro to a rhythm completely his own. He’s probably wanted to share something like this with the world his whole life. You can see it in his closed eyes that this is all of him he is giving to the world right now. Yet most around me won’t even cast a glance his way.
The volume picks up, “buh ah biwambun anna huuu honkomeee… CHEESEBUHGER IN PAWADISE!” The off key strumming reaches a furious paces, his right hand is only a blur against the backdrop of the weathered guitar he has dangling from his neck with a few shoelaces tied together. Then, I notice the headphones plugged into his ears. This was the only way he could do this, he had to have his heroes with him singing along.
The park sitters finally begin to take notice, there’s not a face turned towards him missing some semblance of a smile. While this spectacle is taken in by those with enough time to partake, the avenue 20 feet away continues without so much as a blink of interruption. It’s aimed straight at the bottom of this island of ours, ready to unload back into the world all those who travel it, back into some other reality not as intense and honest as the one unfolding before my eyes.
A run comes over my phone, I’m forced to rip myself away and back into that same avenue that I condemn for it’s speed. I know I can be faster than it but am much more appreciative of the fact that I can stop, exit and sit surrounded by all the 7 billion wonders of the world.
I nod at our pleasant minstrel and all of the sudden he stops playing and waves a hearty goodbye. I laugh and jump on my bike.